Modern, Post War, & Contemporary: Art + Design
Mon, Jun 28, 2021 01:00AM EDT
Lot 40
WILBUR NIEWALD / Florence (1970s Watercolor)
Sold for
$850
Bid Increments
| Price | Bid Increment |
|---|---|
| $0 | $25 |
| $500 | $50 |
| $1,000 | $100 |
| $5,000 | $250 |
| $10,000 | $500 |
| $20,000 | $1,000 |
| $50,000 | $2,500 |
| $75,000 | $5,000 |
| $100,000 | $10,000 |
Wilbur Niewald
(Missouri, b. 1925)
Florence, circa 1970s
Watercolor on paper
17 1/4" x 20 1/4" (sight)
Presented behind glass in a frame that measures 25 1/2" x 28".
Wilbur Niewald has been dubbed "the Patriarch of the Kansas City Art World" by Julián Zugazagoitia, director of the Nelson-Atkins Gallery of Art. Each of Niewald's paintings offered in this auction date from the 1970s, a decade pivotal to his identity as an artist, transitioning from a distinct abstract style to one more resolutely based on natural observation. In addition to a career of creating exciting and influential works of his own, Niewald joined the Kansas City Art Institute's faculty in 1949, where over the course of several decades in a variety of roles (including the Chair of Painting and Printmaking) he helped shape KCAI pedagogy and prepare generations of contemporary artists.
Provenance: From the corporate art collection of a Kansas City based Fortune 500 company.
Very good condition, without any notable issues apparent. Not removed from the frame.
(Missouri, b. 1925)
Florence, circa 1970s
Watercolor on paper
17 1/4" x 20 1/4" (sight)
Presented behind glass in a frame that measures 25 1/2" x 28".
Wilbur Niewald has been dubbed "the Patriarch of the Kansas City Art World" by Julián Zugazagoitia, director of the Nelson-Atkins Gallery of Art. Each of Niewald's paintings offered in this auction date from the 1970s, a decade pivotal to his identity as an artist, transitioning from a distinct abstract style to one more resolutely based on natural observation. In addition to a career of creating exciting and influential works of his own, Niewald joined the Kansas City Art Institute's faculty in 1949, where over the course of several decades in a variety of roles (including the Chair of Painting and Printmaking) he helped shape KCAI pedagogy and prepare generations of contemporary artists.
Provenance: From the corporate art collection of a Kansas City based Fortune 500 company.
Condition
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