Price | Bid Increment |
---|---|
$0 | $25 |
$500 | $50 |
$1,000 | $100 |
$5,000 | $250 |
$10,000 | $500 |
$20,000 | $1,000 |
$50,000 | $2,500 |
$75,000 | $5,000 |
$100,000 | $10,000 |
Thomas Hart Benton
(Missouri, 1889-1975)
Windmill, Watering Trough, and Cow, circa 1951
Graphite on paper
11" x 14"
Benton scholar Dr. Henry Adams: "This was probably sketched during Benton’s western trip of 1951, and while not identical, is similar in subject matter and design to two paintings that Benton executed shortly afterwards: Open Country (1952; The Nelson-Atkins Museum of Art), and Windmill and Watertank, West Texas (1953, private collection). In both paintings Benton placed the water tank and windmill far apart from each other, to emphasize the loneliness of the landscape. The sketch has the more jumbled quality of a motif observed directly from life."
Matted to 24" x 18".
Mild wrinkling across the sheet. A small tear is visible 1/2" into the mat window at the bottom left corner. Faint tape stain at the bottom right corner.
Available payment options
Pick Up, Packing, & Shipping: Winning bidders may pick up their lots, once paid in full, at Circle’s auction office during regular business hours. If packing and shipping is required, we can provide you with a list of recommended shippers by request. You will be responsible to contact, arrange shipment, and pay 3rd party shippers. Circle will not be responsible for loss or damage of purchased lots handled or shipped, nor for acts and omissions, by 3rd party shippers, whether recommended by us or not. Circle will not release the lot for shipment until payment has been made in full and a buyer’s written shipping authorization form has been received. Winning bids may not be retracted, canceled or rescinded due to issues with shipping including, but not limited to, costs or prohibitions. It is the responsibility of the bidder to account for shipping prior to bidding. Failure to Pick Up & Storage: Winning bidders must pick up or have lots shipped within 15 calendar days of the close of the auction. On the 16th day from the close of the auction Circle has the right to charge the winning bidder a storage fee of $5 per lot per day. Lots that have been paid for, but remain on our premises sixty (60) days from the close of the auction may be sold by Circle, with no notice to the buyer. Any funds in excess of the purchase price, commissions, applicable costs, and storage fees will be remitted to the original winning bidder. At the point where storage fees associated with an unshipped item exceed the hammer price of the item the winning bidder will be considered in default of our terms and conditions and forfeits ownership to Circle Auction or its affiliated companies. In the case where the item is forfeited the winning bidder will not be compensated in any way. Lots left with Circle after the 16th day from the close of the auction are stored at the buyer’s risk. If you have any questions regarding these terms please contact Circle Auction by email at : Info@Circle-Auction.com
Acquired by Vincent and Leah Campanella directly from Thomas and Rita Benton over the course of their 25 year friendship. A portion of the collection was given to the Campanellas by Rita in 1975 as compensation for Vincent completing "The Sources of Country Music," the mural left unfinished when Tom passed away in 1975. Vincent Campanella was later prominently featured in the Ken Burns documentary Thomas Hart Benton (1988). In 2001, the Campanella family sold the collection to the current owner, a private Kansas City collector.
Benton scholar and author, Dr. Henry Adams, has authenticated the entire collection in person. You can find his essay documenting the 25 year tumultuous friendship of Vincent and Thomas and the origins of the collection at Circle-Auction.com. A copy of his essay will be provided to all winning bidders.