Contemporary + Modern: Art & Design
Fri, Jan 28, 2022 01:00AM EST
Lot 41
NICOLAS AFRICANO / Black Goose (1971 Charcoal)
Sold for
$175
Bid Increments
| Price | Bid Increment |
|---|---|
| $0 | $25 |
| $500 | $50 |
| $1,000 | $100 |
| $5,000 | $250 |
| $10,000 | $500 |
| $20,000 | $1,000 |
| $50,000 | $2,500 |
| $75,000 | $5,000 |
| $100,000 | $10,000 |
Nicolas Africano
(Illinois, b. 1948)
Black Goose, 1971
Charcoal on paper
5 1/4" x 3 3/4" (sight)
Of this work and the two accompanying works ( The Serpent and Elemental Forces), Bill Morgan offered the following commentary: "In this period of his life (early 20s), Nicolas sometimes felt he was being pursued by sinister forces he tried to confront through his art."
Presented behind glass in a wooden frame that measures 16" x 13".
Provenance: From the Bill & Ellen Morgan collection. Bill Morgan is a professor emeritus of English at Illinois State University in Normal, Illinois. It was there that he befriended Nicolas Africano, and he quickly became a patron and collector of the Africano's work as well; for a time Morgan rented Africano a room, occasionally accepting artwork in lieu of payment. This far-reaching collection from an early adopter gives a unique opportunity to access rare early works and get an expansive view of the artist during several pivotal moments in his journey.
Alternate spelling: Nicholas Africano
Very good condition, noting mild toning to the mat.
(Illinois, b. 1948)
Black Goose, 1971
Charcoal on paper
5 1/4" x 3 3/4" (sight)
Of this work and the two accompanying works ( The Serpent and Elemental Forces), Bill Morgan offered the following commentary: "In this period of his life (early 20s), Nicolas sometimes felt he was being pursued by sinister forces he tried to confront through his art."
Presented behind glass in a wooden frame that measures 16" x 13".
Provenance: From the Bill & Ellen Morgan collection. Bill Morgan is a professor emeritus of English at Illinois State University in Normal, Illinois. It was there that he befriended Nicolas Africano, and he quickly became a patron and collector of the Africano's work as well; for a time Morgan rented Africano a room, occasionally accepting artwork in lieu of payment. This far-reaching collection from an early adopter gives a unique opportunity to access rare early works and get an expansive view of the artist during several pivotal moments in his journey.
Alternate spelling: Nicholas Africano